The House of Bernarda Alba

 

 

 

 

 

Discussion questions:

  1. Wilkie and Hurt say that the stallion kicking against the walls of the house is "only one of the images of enclosure and imprisonment that dominate the play" (1987). Elaborate on other such images.
  2. What message about the human condition apart from the gender roles does the play suggest?
  3. What claims about gender roles are implicit in the play?
  4. Should the daughters be viewed simply as a group, or does each one have distinguishing characteristics?

Campus library sources:

Duran, Manuel, ed. Lorca : A Collection of Critical Essays. Englewood Cliffs, N.J. : Prentice-Hall, 1962. Call number: 868.62 G216Ylo, 1962.

Duran, Manuel, and Francesca Colecchia, eds Lorca's Legacy : Essays on Lorca's Life, Poetry, and Theatre. New York : P. Lang, 1991. Call number: 861.62 G216Ylo, 1991.

Klein, Dennis A. Blood Wedding, Yerma, and The House of Bernarda Alba : Garcia Lorca's Tragic Trilogy. Boston : Twayne, 1991. Call number: 862.62 G216YKl, 1991.

Soufas, C.Christopher. Audience and Authority in the Modernist Theater of Federico Garcia Lorca. Tuscaloosa : U of Alabama P, 1996. Call number: 862.62 G216YSo, 1996.

Zdenek, Joseph W., ed. The World of Nature in the Works of Federico Garcia Lorca. Rock Hill, S.C. : Winthrop College, 1980. Call number: 868.62 G216YWi, 1980.

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Created by Stan Galloway, Bridgewater College, 7 April 1998. Last modified 10 February 2000. Contact me at sgallowa@bridgewater.edu